Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. Berganza’s ability to maintain the crisp, piano sections of the vlto line and then sing in full legato later create an exciting performance.
It was so nice to hear it performed by such an expert vocalist.
Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)
I love this piece and have Sierra’s sparkling eyes in mind as I was listening. It feels less like a dance until Berganza comes in. The introduction of the piano was absolutely amazing it really built up the excitement for the piece. Grant mack April 9, at 9: The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability. Sarah Benzinger April 5, at Then there is a break in the dance again when the piano has its little interlude.
Shannon McAleb April 5, at Sarah Brauer April 9, at Posted by Milagro Vargas at I can really hear the inspiration from the guitar.
Teresa Berganza does this perfectly, beautifully, and with dramatic intent. This piece does not end how I would have expected. This piece is so passionate. It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard this piece performance. April Phillips April 5, at Andrew April 5, at The Links and Labels below should be helpful in finding obgadors you are looking for.
That is when the dance really begins. I really can imagine a woman in a sea of bullfighters.
Obradorw the time being, the topics are organized according to geographic locations. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text.
Underlying the melody is a sense of danger, and I love how Berganza draws the listener in.
Katherine Curtis April 10, at 8: All materials found here are for educational purposes only. Thank you for posting it for us. Con el vito, vito, vito, con el vito, vito, va. Very subtle and a fantastic final note from her. How exciting when the images are so clear from listening to obradora piece.
Song Lied Mélodie: “El vito” by Obradors
Her body language was great as well. I really liked the different articulations that were used in the work as well with sections being more legato and others that were more snappy! Ashleigh April 9, at 2: You have these lithe and bouncing stacatti sections that serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension and release.
This seems like a really fun song to perform. I love this piece!!!
The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. Ben April 2, at 4: The pianist in the performance did an excellent job of emulating a guitar with rhythmic clarity and precision. It was playful without feeling affectated. Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents.
I enjoyed the rhythmic energy and drive of this music.
Fernando Obradors – Wikipedia
The piano prelude made me think of Lara’s Granada. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end. I love the, as Abby put it, crispness of this piece and I love the way it exists intimately with the passion. The way the voice and piano interact is playful, discrete and yet so profound. She is precise, but so comfortable and relaxed, creating natural rubato within each phrase.
The ease in which she performed all aspects of this song was so entertaining. Katalin April 7, at 2: Amalia Osuga April 6, at 9: