The REAL World premiere recording of the 14 Canons BWV The recording was using a “Vorabdruck” (pre-release, print before the official. Download 14 Canons, BWV by Johann Sebastian Bach for free from Media in category “BWV “. The following 50 files are in this category, out of 50 total. BWV – × ; 47 KB. BWV –
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0187 leaps in the melody occur. The first of the regular canons, this is a canon at the unison: On the title page, Bdv specified that the work was intended for harpsichord. Well, if your brain is generating an electrical smell after trying to sort out the inversion of the inversion from the inversion, you might want to pause, or even restart the MP3!
Canon simplex a 3 voci il soggetto in Alto [4: You’ll hear the Goldberg ground and its inversion a la Canon III, but on top of that, Bach adds a sprightly new canon, thus, Canon duplex.
Specified for two manuals, the piece features hand-crossing. Motu contrario e recto [0: This variation generally lasts longer than any other piece of the set. The New York Times. Nineteen copies of the first edition survive today.
This repeated note motif also appears in the first bar of the second section bar 17, two Ds and a Cand, slightly altered, in bars 22 and Bach’s Keyboard Musicp. Its melody is made to stand out by what has gone on in the last five variations, and it is likely to appear wistful or nostalgic or subdued or resigned or sad, heard on its repeat as something coming to an end, the same notes but now final.
Matthew’s Passion; matter of fact, I’ve always thought of Variation 15 as the perfect Good Friday spell. The Keyboard Music of J. They are named after Johann Gottlieb Goldbergwho may have been the first performer. Did Bach know about this? Yet he produced only a single work of this kind. Canon duplex a 4 voci [1: If pressed, however, and with apologies to Ludwig, Wolfgang, Pyotr, and all the other greats, I would give the nod to Bach. If a double canon, with each canon having a leader and follower, has 4 voices, then naturally a triple canon must have 6.
Before then only canons 11 and 13 were known, with the latter as BWV The sixth variation is a canon at the second: You’ll hear this ground throughout the work.
It is in 3 4 time and usually played at a moderately fast tempo. Note the mirror image of the clef and key and time signature at right — a clear indication that this figure is to be played backwards, or in retrograde, as it is also played forward, to yield 1078 first of the fourteen canons.
The leader is answered both an octave below and an octave above; it is the only canon of the variations in which the leader alternates between voices in the middle of a section.
Printed during the composer’s lifetime: She does however argue, like Schulenberg, that it is a French giguenot an Italian giga and does play it at an bdv tempo. Now, in my own research area of solar variations and Sun-climate interactions, the road to scholarly ruin is littered with the bones of astronomers who have gone too far looking for correlations that don’t exist. This is a rapid two-part hand-crossing toccata in 3 4 time, with many trills and other ornamentation.
Duration 3 to 10 minutes largely depends on the bwc of repeats taken Composer Time Period Comp. This file is available in “flac” format here. From Wikipedia, the free encyclopedia. Williams writes that “the beauty and dark passion of this variation make it unquestionably the emotional high point of the work”, and Glenn Gould said that “the appearance of this wistful, weary cantilena is a master-stroke of psychology.
Another lively two-part virtuosic variation for two manuals, in 3 4 time. As soon as they were assembled a chorale was first struck up. The answer in the tenor enters in bar 5, but it’s a tonal answer, so some of the intervals are altered.
Schmid printed the work by making engraved copper plates rather than using movable type ; thus the notes of the first edition are in Schmid’s own handwriting. Most bars feature either bwg distinctive pattern of eleven sixteenth notes and a sixteenth rest, or ten sixteenth notes and a single eighth note.
14 Canons BWV – Details
Like the passepieda Baroque dance movement, this variation is in 3 8 time with a preponderance of quaver rhythms. Both features ornaments and leaps 1078 the melody are apparent from the first bar: The aria is a sarabande in 3 4 timeand features a heavily ornamented melody:. The canonic interplay in the upper voices features many suspensions.